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Essays by Poets & Novelists
Nam Le Essay for Lost Divers Catalog Paul Auster essay for CUE Foundation Catalog 2020 El Hurgador Koplin Del Rio Gallery: Interview Arts Atlanta 2019 Longview Journal 2017 Numero Cinq 2014 Art Critical BOMB Magazine Installation Magazine NPR Bullseye- I Wish I'd Made That Interview The Paris Review Thought Catalog Minneapolis Academy of Art Acquisition Statement Fad Magazine WNYC New Sounds on The Violin Animations VOLTA NY Profile ArtFile Magazine 2013 MoMa PS1 Studio Visit American Art Collector SACI Artist Profile 2012 Art+Auction Los Angeles Times Art Week LA 2011 Interview with Mario Naves Post Star 2010 Beautiful Decay CityArts - Mario Naves Nam Le Essay for Lost Divers Catalog TimeOut New York The Village Voice Two Coats of Paint LA Times 2008 ARTnews Los Angeles Times 2007 Los Angeles Times New York Times 2006 Art New England 2005 ArtScene John Massier Essay for Hallwalls Los Angeles Times New Yorker The Week 2004 Art in America Artforum New Yorker New York Observer Paul Auster Essay for CUE 2003 Newport This Week 2002 Post Road 2001 Modern Painters Pressed Water BroadsideI |
...as beautiful as they are, the paintings evoke a state of basic contradiction that has a way of getting under your skin. —Dan Piepenbring, The Paris Review
Dorman offers us what he can of his own charged reality, and in doing so reawakens us to ours; he offers us a shared visual field – a shared illogic – that maunders like the mind, that honours its own eccentric questings, its pointless cataloguings, its rampant, fecund combinings.... —Nam Le, Lost Divers catalog essay
No plan, no agenda, no constraint. If there is a formal method underlying Dorman's art, it would be this: You find it in the act of doing it, and each time you do it, you discover something you hadn't known before. —Paul Auster, CUE Catalog essay
Dorman constructs fantasy lands and visual puns with the wonky, romantic intensity of a daydreaming ten-year-old. —New Yorker Magazine
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